
Making Sounds with Arduino
As limited funding and job availability looms for those immersed in humanities scholarship, the idea of taking on another set of knowledge proves impossible for
As limited funding and job availability looms for those immersed in humanities scholarship, the idea of taking on another set of knowledge proves impossible for
In this workshop, the DWRL staff uploaded instructional videos to YouTube. The staff then proceeded to generate/edit closed captions for these videos. YouTube will automatically
Last Friday, Sierra Mendez led the DWRL in a digital storytelling workshop on creating photo essays with WordPress. The workshop began with a video of
For week three of skills workshops, Dr. Scott Graham, Assistant Professor in the Department of Rhetoric and Writing at the University of Texas at Austin,
Using data to support an argument is standard, but putting together an interpretation of data that sustains your idea is not a simple task. That
In the first workshop of the 2019-2020 school year, PhD candidate Amy Tuttle came to instruct the DWRL staff on making sense of data. While
Undergraduate students sometimes have trouble leveraging historical context to the end of persuasion. Reasons for this include that they may not see contextualizing (including the
As rhetoric and composition instructors, we typically have students work with written texts, both in analysis and in production. While we might ask students to
In today’s information economy, the abundance and production pace of information can make it difficult to follow news coverage of any given topic or event.
With audio technology becoming both more advanced and also more affordable, the options for understanding and exploring the ways in which sound and image interact
In Carolyn Miller’s foundational text in Rhetorical Genre Studies, “Genre as Social Action,” (1984) she asserts the utility in studying “homely discourses.” Examining the quotidian
Image and code from wired.com Ferdinand Saussure provided a framework and vocabulary that can be applied in composition classrooms to understand the “arbitrary” nature of