Lesson Plan: The Ethics of Virtual Reality

shaherzadahmadi

Lesson Plans

In this lesson plan, students consider the ethical questions surrounding violence in virtual reality. By reading about the 1990s debate regarding the power of video games to produce violence in the real world, they discover that these are old questions that take on new urgency in the age of virtual reality. Students engage with an intellectual debate that played out in popular discourse. They articulate an opinion based on the information. By experiencing virtual reality (VR), students discern the difference

Lesson Plan: Digital Reproduction

J Brentlinger

Devices, Lesson Plans, Pedagogy

In 1935 Walter Benjamin wrote, “Around 1900 technical reproduction had reached a standard that not only permitted it to reproduce all transmitted works of art and thus to cause the most profound change in their impact upon the public; it also had captured a place of its own among the artistic processes.” This assignment musses with his assertion by creating a digital, “academic,” work of art. It asks students to produce an audio recording of his article “The Work of

Lesson Plan: Virtual Reality Apps

shaherzadahmadi

Lesson Plans, Pedagogy, Tools

Though the public has expressed interest in the commercial possibilities of Virtual Reality (VR) apps, less attention has been paid to VR’s educational value. This lesson plan allows students to explore what VR has to offer in music, art, and science. The question here is, of course, how does VR enhance the study of these diverse subjects? By offering a three dimensional perspective, students may reconceptualize music, art, and science as well as brainstorm how technology may transform education. Students

Lesson Plan: Perspective API – Rhetorical Metadata, Pathos, and the Future of Internet Moderators

andrewheermans

Assignments, Devices, Lesson Plans, Pedagogy

Teaching students how to analyze an argument is no simple task, as rhetorical analysis exists on a spectrum of complexity ranging from the most commonly encountered modes of persuasion, to analytical frameworks that push the definition of “rhetorical action” to its limit and beyond. What this disparity demonstrates is that rhetoric is generative, inventional, it stipulates through rhetorical action its own limits, it defines itself through its own capacities. Moving students from summary to analysis in Unit 2, students are

Lesson Plan: Infographics – Digital, Visual Stories

Sierra Mendez

Data, Data Visualisation Week, Lesson Plans, Pedagogy

Image source: www.the-digital-reader.com. Image source: www.the-digital-reader.com. Both infographics and data visualization are tools to visually represent data. They make it easier for audiences to grasp difficult concepts by communicating meaning through a visual summary. It is the level of narration where the forms diverge: data visualization will employ algorithms to directly represent vast quantities of data and make interpretation simpler, whereas infographics are constructed by a human to tell a story about the data–to summarize its context, its meaning, and

Lesson Plan: Transforming Data Visualizations

Mac Scott

Data, Data Visualisation Week, Lesson Plans, Pedagogy

Contemporary rhetorical theory privileges a view of rhetoric as dynamic, where texts circulate both spatially and temporally to myriad effects. For instance, in her influential article “Unframing Models of Public Distribution,” Jenny Rice pushes against a view of rhetoric as contained and static, arguing instead that the “rhetorical situation is part of . . . an ongoing social flux” and that rhetorics “evolve in aparallel ways” (9, 14) as they circulate. Mary Queen, in “Transnational Feminist Rhetorics in a Digital

Lesson Plan: Visualizing and Analyzing Terministic Screens with Voyant

Matt Breece

Data, Data Visualisation Week, Lesson Plans, Pedagogy

When instructors teach rhetorical or textual analysis that focuses on how word choice frames arguments and how audiences might interpret texts, it often relies on a singular text with an assignment that asks students to analyze how the author’s choice of words, terms, or metaphors influence its interpretation. Yet this type of analysis is limited because it doesn’t account for how word choice excludes other words, thus affecting a text’s interpretation. As Kenneth Burke reminds us in “Terministic Screens”: “Even

Lesson Plan: Narrative Numbers

DWRL Staff

Data, Lesson Plans, Pedagogy, Tools

By Sierra Mendez & Sarah Welsh Maybe we can begin by blaming Plato for his view that math, specifically geometry, was the one perfect truth in the world–a belief systematically strengthened by science’s insistent reliance on empirical, numerical data as “truth.” These notions have been adopted into the public conscious, leaving people with the tendency to treat quantitative evidence as unquestionable facts that are above argument. Most students tend to say things like “numbers speak for themselves” when instead they

Lesson Plan: Peer Recordings, or Revising Peer Review

Mac Scott

Lesson Plans, Multimodal Writing, Pedagogy

An important component in the composition process is peer reviews. In fact, it’s a requirement for RHE 306 courses. But when instructors assign digital writing assignments–particularly those like infographics that have a visual component beyond alphanumeric text–a question emerges as to how students can best provide helpful feedback. In “Can You Hear Us Now,” Julie Reynolds and Vicki Russell argue that audio-recorded feedback on student writing encourages them as instructors to “focus less on lower-order writing concerns (such as spelling,

Lesson Plan: Photography, Photoshop, and Visual Rhetoric

DWRL Staff

Data, Lesson Plans, Pedagogy, Tools

By Sierra Mendez & Sarah Welsh This data visualization lesson plan focuses on image manipulation across a variety of sources. It matters to us and to the classroom because 21st century forms of media and knowledge dissemination demand that we be able to interpret and utilize visual forms of information. Photos are a key component of modern data visualization whether they make up the data itself or are integrated into an infographic. An acknowledgement and understanding of how photos are